(SoapOperaNetwork.com) — With news of Gary Tomlin and Christopher Whitesell‘s ascension to the top of the “Days of our Lives” writing team after the NBC daytime soap let go Marlene McPherson and Darrell Ray Thomas, Jr., less than a year after the two were hired to replace Dena Higley, Soap Opera Digest in its newest issue (issue dated April 16, 2012) is reporting that Tomlin and Whitesell has added the multiple Emmy award winning talents of veteran writer Lorraine Broderick to its new regime.
Broderick, who most recently enjoyed a stint at ABC’s “One Life to Live” as a breakdown writer shortly after penning the final months of “All My Children” as the soaps head writer – she was hired at “AMC” just days before the network officially announced it had decided to cancel both soaps with “Children” going off the air in September 2011 and “One Life” completing its run in January 2012 - joins “DAYS” in the same position she had at “One Life to Live” until its final episodes were written. “We are excited and look forward to the stories of romance, suspense and intrigue this new dream team plans to tell,” Co-Executive Producer Greg Meng said via Digest.
Broderick’s long career in daytime television as a writer began more than three decades ago when she was hired on as a script writer at “All My Children” in 1979. She held that position until 1981, when she was named Associate Head Writer. She would begin a short stint as the soaps Co-Head Writer in 1987, but would revert back to her former position as Associate Head Writer beginning in 1988 until 1991. She left “AMC” for “Guiding Light” beginning in 1992, where she was hired once again as an Associate Head Writer (1992-1993). After leaving “GL,” Broderick would find herself at numerous daytime soaps in various capacities including the role of Head Writer and/or Associate Head Writer at “Another World,” “As The World Turns,” “One Life to Live” and “Port Charles.”
Before marking her return to “DAYS” later this year, Broderick was previously credited as Head Writer of the soap for just one month (October 1999).
(SoapOperaNetwork.com) — Although the likelihood was expected thanks to the loss of long-time soaps “All My Children” and “One Life to Live” in 2011 and 2012, which were preceded by the departures of “Guiding Light” and “As The World Turns” in 2009 and 2010, news broke on Thursday, March 22 that after 22 years in publication Soap Opera Weekly would end its successful run as one of the premier soap opera magazines. The final decision to end the mag was just one of many blows the soap opera industry has felt in as many years. Soap Opera Network takes a by the numbers look at Weekly and how its readership levels helped lead to its ultimate demise.
On April 14, 2011 news of “All My Children” and “One Life to Live’s” cancellations created headlines in nearly every trade magazine, newspaper and informational entertainment website you could think of. What the world didn’t know at the time was that same day (morning in fact) American Media, Inc. had signed a licensing deal with Source Interlink, owner of both Weekly and sister mag Soap Opera Digest, in which American Media would control the editorial, advertising, marketing and distribution aspects of both magazines. As part of that deal a number of staffers were let go from both Digest and Weekly, while those who remained were either re-assigned or part of the recent layoffs now effecting the demise of Weekly itself.
According to the latest Audit Bureau of Circulations (ABC) data Soap Opera Network has received, Soap Opera Weekly magazine had an average total circulation of nearly 108,000 between subscriptions and single copy sales in the second half of 2011. Single copy sales exceeded subscriptions by just over 5,000 issues. The magazine lost upwards of 40,000 subscribers compared to the second half of 2010, when its total circulation was nearly 146,000 between subscriptions and single copy sales. In November of 2011, in our report announcing the launch of Reality Weekly, we noted that Soap Opera Weekly had recently ceased providing subscriptions:
Dated November 14, 2011:
Although I do not personally subscribe to either Digest or Weekly, it recently came to my attention that Soap Opera Weekly no longer provides subscriptions for soap fans wishing to receive their Weekly at home as it and numerous other magazines have done since their inceptions. This was later confirmed as the magazine no longer provides an online subscription via the Zinio magazine subscription and tablet application service. Digest and Soaps in Depth (both ABC and CBS editions) continue to provide subscriptions, however.
With the magazine no longer providing subscription based readership, sales figures fell to just over 50,000 single copy sales based on the data average of the 15 issues sold during the first half of 2012, according to the ABC. This showed axed subscribers did not opt into buying the magazine at their local supermarket or grocer. By comparison, in the first half of 2001, when there were 10 soaps still on the air (“All My Children,” “As The World Turns,” “The Bold and the Beautiful,” “Days of our Lives,” “General Hospital,” “Guiding Light”, “One Life to Live,” “Passions,” “Port Charles” and “The Young and the Restless”), Weekly‘s total circulation was 372,000 on average between subscriptions (134,000) and single copy sales (238,000).
Soap Opera Weekly, which launched with its first issue dated November 21, 1989, with maven Mimi Torchin as its founding Editor in Chief, will present a final look into the world of soaps with its last issue dated April 10, 2012, according to an American Media spokesperson. Stephanie Sloane, in her role as the Editor in Chief of both Weekly and Digest, will close the books on the magazine.
(SoapOperaNetwork.com) — “General Hospital” makes some additions to the writing staff.
Two former “One Life To Live” script writers Scott Sickles and Elizabeth Page has joined the “GH” writing staff. Also, joining the “GH” team is David Rupel, who is an executive producer for Bravo’s “The Real Housewives of Beverly Hills”. Rupel returns to “GH” where he was a breakdown writer from 1999-2001. He also wrote for “Guiding Light” in 2002 and from 2006-2009.
(SoapOperaNetwork.com) — Here is a comparison of the last five cancelled soap operas.
|Total Viewers||Households||Women 18-49 Rating||Women 18-49 Viewers||Final Episode – Total Viewers|
|One Life To LiveJanuary 9-13, 2012||3,120,000 (+407,000)||OLTL 2.3/7 (+.3)||OLTL 1.2/7 (+.2)||OLTL 784,000 (+148,000)||3,848,000|
|All My ChildrenSeptember 19-23, 2011||2,990,000 (+499,000)||2.3/7 (+.4)||1.1/7 (+.3)||689,000 (+157,000)||3,475,000|
|As The World TurnsSeptember 13-17, 2010||2,593,000 (+18,000)||1.9/7 (same)||0.9/6 (same)||610,000 (-10,000)||2,846,000|
|Guiding LightSeptember 14-18, 2009||2,602,000 (+512,000)||1.9/6 (+.4)||1.0/6 (+.3)||637,000 (+152,000)||2,975,000|
|PassionsSeptember 3-7, 2007||1,645,000 (-22,000)||1.3/4 (same)||1.0/6 (same)||629,000 (-29,000)||1,681,000|
Note #1: Comparisons are to the shows penultimate week.
Note #2: Passions’ numbers are for the final NBC broadcast, not DirectTV.
(SoapOperaNetwork.com) — On Monday afternoon, Vincent Irizarry received word of Jamey Giddens‘ (of Daytime Confidential) rather strong implication on Twitter that [Irizarry's] inability to reach an agreement with production company Prospect Park along with Agnes Nixon and Lorraine Broderick’s “story projections” were a major reason Prospect Park decided to reportedly halt early production efforts to move “All My Children” to the internet. The none too pleased Daytime Emmy Award winner responded to the claim on Facebook on Monday evening.
Irizarry was provided with an unexpected birthday surprise on Saturday, November 12 when Giddens revealed that his sources had spilled that “Prospect Park’s inability to make a deal [with] Irizarry is a factor in #AMC reboot stalling. Stories were to heavily involve David… [From a branding pt., Susan Lucci was their biggest casting factor, from story it was Irizzary].” When questioned on how that deduction was possible when neither an Executive Producer or Head Writer has been hired for the soap, as opposed to sister soap “One Life to Live,” which has signed talent to the aforementioned positions for their 2.0 incarnation as well as thirteen actors, Giddens added “Agnes and Lorraine worked on story projections for the show.”
On Monday evening, along with requesting the source of the claim that was stated to him in reduced form, Irizarry responded on his official fan page on Facebook and emphatically stated that “the part re: me and Lorraine is absolute rubbish. We are certainly not the reason [Prospect Park] has put the show on hold.” (Update: 11/16/11) This evening on Twitter, Vincent neither confirmed or denied the accuracy of Giddens sources but did state he felt Giddens comments were “terribly misquoted” to him by the original poster on his Facebook page. The posters original comment stated to Irizarry that it had been “reported that that the show was put on hold…because broderick and vincent cant decide if they want to sign.”
It had been revealed as far back as October 6 that Irizarry had finally been contacted by Prospect Park to join “AMC” as it prepared to go online. This discussion had not led to a signing before the reported stall in early production; similar to the results of reported discussions with major “AMC” names including Lucci (ex-Erica Kane), Michael E. Knight (ex-Tad Martin), Rebecca Budig (ex-Greenlee Smythe), Alicia Minshew (ex-Kendall Hart) and Jacob Young (ex-JR Chandler). From the performers they reached out to, Prospect Park has only been able to secure Cameron Mathison (Ryan Lavery), Lindsay Hartley (Cara Castillo) and Darnell Williams (Jesse Hubbard).
Irizarry, who just turned a handsome 52-years old, has enjoyed a long and successful daytime carrer which began on CBS’s Guiding Light in 1984 as anti-hero Brandon “Lujack” Luvanoczeck. He played the popular role until 1986. In 1987, the actor joined the cast of Santa Barbara for a two year run as Dr. Scott Clark. Irizarry returned to the soap that put him on the map in 1991 as Nick McHenry Spaulding. He remained on the soap for five more years. Irizarry landed the role of Dr. David Hayward in November 1997 and remained an integral part of the ABC soap through to the end outside of a two year break between his two stints in Pine Valley where he landed on CBS’ “The Young and the Restless.”
(SoapOperaNetwork.com) — With the cancellations of “All My Children” and “One Life to Live” back in April it was unclear at the time as to where their replacement shows “The Chew” and “The Revolution” would film their daily episodes. Now with “Chew” filming in New York and soon “The Revolution” set to begin filming in New York as well, Soap Opera Network has learned that ABC Daytime is shifting much of its operations to New York City including talent management and media relations.
Along with the behind the scenes shift to New York, look for Katie Couric‘s new syndicated talk show to be filmed there as well. As previously reported, Couric’s new show will replace “General Hospital” in the 3:00 PM ET/2:00 PM CT/PT timeslot as ABC is set to hand over the hour back to its affiliates beginning in September 2012 in hopes that their affiliates will choose to pick up what the company deems to be a more profit sharing program.
With just three hours left available to program effective September 2012, “General Hospital,” which will be the last remaining regularly scheduled daytime soap still airing on ABC and the last daytime series (scripted or otherwise) produced by ABC filming in Los Angeles, will be fighting for its survival in the coming months as it goes head-to-head with “The Chew” and “The Revolution” when it comes to the almighty dollar (ie. which show brings in enough income relative to cost). Upon announcing the timeslot shift for “GH” back in June, Jori Petersen, Vice President, Publicity, ABC Daytime/SOAPnet stated via a company press release that “The announcement does not mean the inevitable cancellation of ‘General Hospital.’ Rather it means that in September 2012, we will program our daytime block with our three strongest shows. We’ll have options for the daytime daypart just like we do each year with prime-time. We believe in all of our shows and the ones that our viewers want will be the ones that continue. There are many options that could happen … only time will tell. We are simply giving ourselves options for the future, which is a smart way to do business. The best way to ensure a favorite show stays on the air is to watch it.”
New York’s last remaining regularly scheduled daytime soap opera, “One Life to Live,” is set to film its final episode on the afternoon of Friday, November 18 and air its series finale in January 2012. “All My Children,” “As The World Turns,” “Guiding Light,” “Another World,” “The City” and “Loving” were the last regularly scheduled daytime soaps to film in New York City. In the case of “AMC,” the soap moved to Los Angeles in January 2010 in a cost saving move after nearly 40 years on television. The soap was later canceled along with “One Life to Live” in April 2011, four months after celebrating its 41st anniversary.
(SoapOperaNetwork.com) — Soap Opera Network has confirmed with an official Prospect Park spokesperson that Darnell Williams has reached an agreement to continue with “All My Children” for its scheduled online resurrection in 2012. This afternoon, Williams’ former and future co-star, Lindsay Hartley (Cara) jumped over the production company that licensed “AMC” and “One Life to Live” earlier this year to reveal the news on Twitter. The excited actress exclaimed to fans that the popular actor “has officially signed on!! More to come.” All deals between Prospect Park and performers remain tentative at the moment due to the fact that an official deal hasn’t been reached between the actors’ union AFTRA and the production company.
Williams originally joined the cast of “AMC” in 1981 as Jesse Hubbard, the future love of Angela Baxter’s (Debbi Morgan) life. The actor remained in the role until 1988 when Jesse was killed off. Before returning to “AMC” for a second long-term gig in 2008, Williams played Jacob Foster on ABC’s “Loving” and “The City” opposite his long time co-star Morgan and enjoyed a recurring gig on CBS’ “Guiding Light.” The 2-time Daytime Emmy winner has also appeared in a multitude of prime-time series including a recurring role on “Felicity.” Before rejoining the cast of “AMC,” Williams was the acting coach for the daytime drama for some time and occasionally directed an episode of the daytime drama. On an important side note, Williams’ on-screen other half, Morgan, is currently starring on CBS’ “The Young and the Restless.”
Williams, so far, is only the third “AMC” performer to sign on to continue with the soap opera once it goes online. He joins Hartley and Cameron Mathison (Ryan). Multiple sources indicate that the sticking point for a multitude of actors, besides not being contacted in some cases, has been that the Prospect Park executives want all of their actors to sign on to 4-year contracts. After years of being misinformed and tied to the controlling atmosphere of ABC Daytime, many “AMC” actors don’t appear to have a strong desire to oblige to long-term contracts.
(SoapOperaNetwork.com) — October 8, 2011 marks the tenth anniversary of Soap Opera Network, an online magazine celebrating the world of soaps past, present and future.
Soap Opera Network began as an online message board on the then popular ezBoard (now called Yuki) platform by two individuals that wanted to start a more industry based discussion forum for fans of the soap opera genre with the idea that not only could one discuss the comings, the goings or the general news of the day, but have the opportunity to learn more about the names, the faces and the minds of the people that help make daily dramatic serials happen year in and year out. At launch, soap operas “All My Children, “As The World Turns,” “The Bold and the Beautiful,” “Days of our Lives,” “General Hospital,” “Guiding Light,” “One Life to Live,” “Passions,” “Port Charles,” and “The Young and the Restless” were on the schedules of television networks ABC, CBS and NBC.
In November 2002, Soap Opera Network left ezBoard and became its own .com service.
Thanks to elaborate databases such as a ratings archive (how soaps rated over the years), episode count archive (who appeared in episodes of a soap opera each and every month and year), its end credit archive (who wrote, directed or produced each episode), including a listing of episode writers and directors along with profile pieces on more than 80% of the writers, producers and directors, Soap Opera Network has cornered the market on information surrounding the inner workings of the soap opera format.
Over the course of its ten years, Soap Opera Network has interviewed a number of daytime’s biggest stars and behind the scenes personnel including Susan Lucci, Erika Slezak, Melody Thomas Scott, Maurice Benard, Steve Burton, Sarah Brown, Hillary B. Smith, Robert S. Woods, Ilene Kristen, Ken Corday, Cameron Mathison, Cady McClain, Eden Riegel, Judith Light, Bradley P. Bell, Brian Frons, Maria Arena Bell, Sherri Shepherd, Daniel Goddard, Greg Meng, Marlene McPherson, Darrell Ray Thomas, Nancy Curlee, Melissa Archer, Kristen Alderson, Julie Pinson, Ron Carlivati, Frank Valentini, Linda Dano and many more.
Current Soap Opera Network staff is as follows:
Xavier Toups, Co-Founder
Errol Lewis, Editor in Chief; General Hospital Editor; Days of our Lives Editor
Angela Rosa, Managing Editor; All My Children Editor
Scotty Gore, Managing Editor; One Life to Live Editor
Venus Stone-Cutter, The Young and the Restless Editor
Gehrig Burnett Jr., The Bold and the Beautiful Editor