Nelson Branco, best known as the writer of the popular Suds Report column for website TV Guide Canada and for his contributions to magazine Hello! Canada is back! This time he’s Uncensored.
With Soap Opera: Uncensored, fans of Branco will notice the same writing style from his Suds Report, which includes an interview, translated comments on daytime moves, a breakdown of what’s happening on each soap and his uber-popular Blind Items.
For just $1.99 per issue, readers will receive 60 pages of news, notes and even an interview from “Venice: The Series” star Crystal Chappell where she explains why her online web soap is recasting roles played by Gina Tognoni (ex-Kelly Cramer, “One Life to Live”) and Wes Ramsey (ex-Sam Spencer, “Guiding Light”).
Snippet from Chappell Interview…
Despite winning an Emmy for Venice, Chappell still has to deal with the cruel realities of show business. But hey, what’s a soap without cast changes? My boyfriend Eric Martsolf has joined the Sapphic web serial as a recast. The ‘DAYS’ hunk will be replacing Wes Ramsey, who is currently in New York City shooting ‘The Playboy Club.’ “Eric’s wonderful in this,” compliments Chappell. “Eric’s always been supportive of the show. I had to shoot this character with or without Wes, so I sent the script to Eric, and luckily he agreed to do it. It was so much fun to see actors I love and respect in different parts. And you can talk to Eric about this — but this was a part he was born to play!” Also, don’t expect Gina Tognoni back as Sami. “She can’t do it,” sighs Chappell. “So I have to recast the role. I have someone in mind, but I can’t say who.”
Soap Opera: Uncernsored:
Inside the Issue
If that wasn’t enough to get you interested, here are this weeks blind items from Soap Opera: Uncensored (as written by Nelson Branco):
—Which boring character is headed back to his old stomping grounds?
—Which super villainess is returning to her old show with a new-ish face?
—Expect some major firings very soon!
—Which despised star is cleaning up his or her a-hole act? But co-stars are dubious.
–Which soap actress in major trouble physically, mentally, and professionally?
—–Which new actor is as “gay as a handbag,” says one co-star, but the acting novice thinks he’s fooling people into thinking he’s straight?
To order your copy of the first edition of Soap Opera: Uncensored, click here.
(SoapOperaNetwork.com) — The final meeting of the year for the National Board of Directors of the American Federation of Television and Radio Artists (AFTRA) took place today via video conferences in New York and Los Angeles and one of the key topics of discussion effects Prospect Park and television network contracts including those surrounding daytime soaps.
For a complete understanding of what took place and how it affects daytime programming, read the press release below (highlights in bold):
LOS ANGELES AND NEW YORK (Oct. 1, 2011) — The National Board of Directors of the American Federation of Television and Radio Artists, AFL-CIO – a national union of more than 70,000 recording artists, broadcasters and actors – met today by videoconference plenary in Los Angeles and New York, and unanimously voted to authorize the AFTRA Sound Recordings Negotiating Committee to take all actions necessary, up to and including proceeding to a strike authorization vote if needed, to secure an agreement with the major record labels.
Negotiations between AFTRA and representatives from Sony, UMG, Warner, EMI, Disney and most of their subsidiary labels for a successor agreement to the AFTRA National Code of Fair Practice for Sound Recordings, the Union’s second largest national contract, commenced in New York on Aug. 15, with an additional round of bargaining held in Los Angeles the week of Sept. 12-16. An additional bargaining date has been set for Oct. 5 in an effort to resolve outstanding issues. AFTRA National Executive Director Kim Roberts Hedgpeth serves as Chief Negotiator for the Union.
The Sound Recordings Code covers singers, royalty and non-royalty artists, as well as announcers, actors, comedians, narrators and sound effects artists who work on recordings in all new and traditional media and all music formats, in addition to audiobooks, comedy albums and cast albums. The Code generates more than $140 million annually in AFTRA-covered earnings and benefits for both major artists and session singers around the country.
Board members also unanimously approved the appointment of the 2011 AFTRA Network Television Code Negotiating Committee. AFTRA National President Roberta Reardon will chair the 25-member committee and Hedgpeth will serve as Chief Negotiator for the Union. Negotiations with representatives for the four major television broadcast networks (ABC, CBS, NBC and Fox) and other producers are scheduled to commence on Nov. 7 in Los Angeles.
The AFTRA Network Television Code is the Union’s largest national collective bargaining agreement, and generates more than $300 million a year in member earnings. The Network Code covers programming in all television day parts, except for primetime dramatic programs on the networks and the CW. This includes dramas in first-run syndication, morning news shows, talk shows, serials (soap operas), variety, reality, contest and sports. Current programs covered by this contract include: “Good Morning America,” “The View,” “The Price is Right,” “General Hospital,” “Saturday Night Live,” “Dancing with the Stars,” “The Voice,” “Survivor,” “20/20,” “Deal or No Deal,” “Late Show with David Letterman,” among many others.
“The Sound Recordings and Network Television Codes are AFTRA’s two largest and most mature contracts, and for more than 50 years, they have each provided thousands of AFTRA members with strong wages and important benefits,” said Hedgpeth. “But the traditional music, news and entertainment industries are changing rapidly, and the current and upcoming negotiations will provide a critical glimpse into the significant challenges that lie ahead in the 21st century and beyond.
“In order to prevail,” Hedgpeth continued, “professional union talent must stand together and organize themselves through their Union so that together they can secure strong contracts.”
Other business discussed at the Board’s final meeting of the year included a report on the One Union process, and a report on current negotiations with Prospect Park regarding the on-line productions of “One Life to Live” and “All My Children,” slated to commence in late 2011/early 2012.
National Treasurer and Los Angeles member Matthew Kimbrough told the Board that AFTRA has increased its budget for One Union-related expenses by another $115,000 to more than $1.5 million.
In her President’s Report, AFTRA National President Roberta Reardon updated Board members on the progress of One Union discussions with Screen Actors Guild. She observed: “The Labor Movement is facing tremendous challenges all across the country. Union density is declining in both the public and private sectors, and in mature and emerging industries alike. Performers and professionals who work in the entertainment and media industries are not immune from these challenges.
“This is why our work with Screen Actors Guild to build one new union for all of our members is so timely and so important,” continued Reardon. “We are building a bigger, stronger and more expansive union, both in terms of numbers and jurisdiction. The universe of work we cover has changed fundamentally, so this project is not just about our H&R benefits, and not just about two sets of dues. It’s about the industry and the future of the industry and how we stay unionized in the future.”
Phil Denniston, AFTRA National Director of Organizing, advised the Board that the new Organizing Incentive Fund Program, announced at the previous Board meeting in July, is now active and ready to receive applications from Locals. Denniston developed the program to provide AFTRA Locals additional support to continue building organizing programs to increase union density and job opportunities in local markets. A key feature of the program is an annual “matching fund” of $500,000 from the dedicated organizing revenue raised by the 2009 initiation fee increase. The Board today approved an oversight committee of members who will receive, review and approve all applications for matching funds.
Shelby Scott, Union Chair of the Trustees of the AFTRA Health & Retirement Funds and AFTRA National Vice President, reported on the status of the AFTRA H&R Funds. The AFTRA H&R Trustees are next scheduled to meet in New York City next week.
Reardon was unanimously elected by the Board to serve as a Union representative on the AFTRA H&R Board of Trustees. Reardon replaces Kansas City actor Dean Vivian, who was elected as a Trustee at the May 14 meeting of the Board, but who subsequently had to step down due to work conflicts.
Longtime National Board member Mitchell McGuire has resigned from Board service after more than 20 years of service to AFTRA as New York Local and National Treasurer, and on many committees throughout the union. His resignation was accepted by the members of the National Board with expressions of gratitude for his years of dedicated and exemplary service to AFTRA members.
The National Board convened its meeting in the memory of more than 26 members who died since July, including New York recording artist Nick Ashford, newsperson Eleanor Mondale from the Twin Cities Local, Ernie Johnson, a sportscaster from Atlanta, actress Frances Bay from Los Angeles and actor Cliff Robertson from New York.
The AFTRA National Board will next meet by videoconference plenary in Los Angeles and New York on Jan. 21.
The American Federation of Television and Radio Artists, AFL-CIO, are the people who entertain and inform America. In 32 Locals across the country, AFTRA members work as actors, broadcasters, singers, dancers, announcers, hosts, comedians, disc jockeys and other performers across the media industries including television, radio, cable, sound recordings, music videos, commercials, audio books, non-broadcast industrials, interactive games, the Internet and other digital media. The 70,000 professional performers, broadcasters and recording artists of AFTRA are working together to protect and improve their jobs, lives and communities in the 21st century. From new art forms to new technology, AFTRA members embrace change in their work and craft to enhance American culture and society. Visit AFTRA online at www.aftra.com.
Sometimes you can’t be two places at once. Thankfully, there are people willing to lend a hand. Professional photographer and sometimes writer Thomas Montalto was on hand for the annual Absolute Eden Riegel fan event last month and helped Soap Opera Network cover the event with pictures (see below) and even an interview. Unfortunately, just after this interview took place we would learn that Riegel was being let go from her contract role as Heather Stevens on “The Young and the Restless” before the actress was even told! Twitter broke the story to the actress before she was told by her bosses. In light of the actress completing filming at the CBS soap on Thursday, September 29, Soap Opera Network presents to you one of Riegel’s last interviews before she marks her grand exit from Genoa City in the coming weeks.
by Thomas Montalto
During my last trip out west I was able to cover the “Absolutely Eden” fan event for Eden Riegel held at Maggiano’s at The Grove in Los Angeles. The setting was very intimate. It was like I was joining Eden, who was accompanied by her mother Lenore Riegel, at a family dinner where everyone sat around a big table and chatted. “It went very well, I think everyone had a really great time,” Riegel said after the event. “Phyllis and Mary Beth always organize amazing events. We had a lot of very fun conversations and the food was amazing.”
If you have been following Eden on Twitter (@edenriegel), you know she recently became a mom for the first time. “It’s a huge adjustment. Life will never be the same again. It has been a lot of sleepless nights and stress. From the very second he was born, I was just so worried for him all the time, but he’s doing so great. The joy is much bigger than I imagined.”
It is so obvious from her tweets and after talking with her how much she loves experiencing motherhood and savoring every minute. “I am really loving it, I am really really loving it. I feel very lucky. My little guy is so special. I do feel very very lucky that I get to keep him. It’s just so weird, they let you go home with him from the hospital and he is just mine for the rest of his life. I feel so fortunate and so blessed.”
“I spent a couple of months being just a mommy and that was great and I loved it. It was a tough transition to go ‘oh gosh I have to leave him and spend time away from him’ and that made me very nervous,” she said about her recent return to “The Young and the Restless,” where she currently portrays Heather Stevens, a hard ass attorney. “It is nice to have a little time for myself and to do a job that makes me feel capable and to do work that I am proud of. Also to see other grown ups and talk about grown up things and get my hair done and things like that. Then when I go home to Jack, I feel all filled up and I have so much to give to him.”
She also previewed upon her return Heather would be back at the District Attorney’s office involved in the prosecution of a very high level case involving very important people in Genoa City. She’ll also finds herself battling feelings for someone from her past and having to make a decision on how good of an idea it would be to go down that road again.
As you know, Heather was not Eden’s first role on daytime. It has been over ten years since Eden was cast as Bianca on “All My Children”, the on screen daughter of Susan Lucci. It was no small role either. Bianca would have to deal with being Erica Kane’s daughter and coming out in the spotlight and facing her mothers issues. After Eden decided to move on to “Y&R,” “All My Children” recast the role of Bianca. Christina Bennett Lind would have some mighty big shoes to fill as Eden’s popularity was enormous as she brilliantly portrayed Bianca for the better part of ten years, which involved many groundbreaking storylines.
Although Bianca may no longer be hers to portray, she definitely has kept up with her and has kept a connection to the character and truly admires where Lind has taken the character. “I love her portrayal and I think she is extremely, extremely talented,” said Riegel of Lind’s portrayel of Bianca. “I’m very proud of her, I feel like the character is hers now and she’s doing amazing work. I actually saw the episode where Bianca and Marissa finally make love and I thought it was so beautiful. It actually brought me to tears. I just felt so proud and happy for Bianca, I think they are doing a great job.”
With “All My Children’s” broadcast television run coming to an end soon, Eden did mention she was sad she could not be there to help celebrate the end. “I regret that I could not be part of this big farewell and a lot of my old friends have come back to the show again in the final period of time. I of course would love to be a part of it, but at the same time I’m watching it as a fan and enjoying it in that capacity. It is bittersweet.”
“I am excited that the shows will continue and I think it would be the best for everyone because the fans keep wanting to see more and I think the shows are great and shouldn’t die because there is so much life left in them,” she said of “All My Children” and “One Life to Live” moving on to the internet after their runs on broadcast television comes to an end. “There is so much competition on TV now and as long as the shows can continue in any capacity, it is good for everyone. The actors will have work and the fans will get the stories that they love.”
Eden shared some more exciting news about husband Andrew Miller when she talked about his new series “The Secret Circle,” where he is the executive producer, which joins the The CW lineup this fall. Miller is pictured far left, with the “Secret” cast. “I really hope everybody watches it, it’s a great show,” she said of the series. The premiere date is September 15 and it will air at 9:00pm. So, be sure to tune in to help support Eden’s husband out!
Check out Mr. Montalto’s new website aptly named StupidLittleBlog.com.
(SoapOperaNetwork.com) — “One Life to Live” isn’t even finished filming its last ABC episodes yet and already the soap has signed deals with “OLTL” head writer Ron Carlivati and several of the soaps cast members. By comparison, Prospect Park has signed far fewer deals with cast members from “All My Children,” which ended its television run on Friday, September 23.
As we reported earlier this morning, Carlivati’s rumored return to “One Life to Live” is now confirmed as Prospect Park made it official in a press release issued just a short time ago. Carlivati joins Frank Valentini, the soaps executive producer, as the second behind the scenes crew member that will move on with the soap when it debuts online in January 2012 on THE Online Network (aka: TOLN). The Emmy award winning writer joined the writing team in 1996 and was named head writer in 2007. The terms of his deal are subject to an agreement between Prospect Park and the Writers Guild of America (WGA). Should it come to pass, it is understood that Carlivati will also be listed as a Consulting Producer for the soap.
For those that know more about what they see on TV than they do behind the scenes, you’ll be pleased to hear that Melissa Archer (Natalie Buchanan Banks), Kelley Missal (Danielle Rayburn), Sean Ringgold (Shaun Evans), Andrew Trischitta (Jack Manning) and Jerry VerDorn (Clint Buchanan) will be joining already signed Ted King (Thomas Delgado), Michael Easton (John McBain), Kassie DePaiva (Blair Cramer) and Erika Slezak (Viki Banks) when the show is transitioned over from ABC to the web. Ringgold exclusively confirmed his signing to Soap Opera Network earlier this week.
via Press Release
LOS ANGELES, CA – September 30, 2011 – Below is a statement from THE Online Network (TOLN) regarding “One Life to Live.”
Rich Frank and Jeff Kwatinetz of TOLN have confirmed today that a deal is in place for “One Life to Live” Emmy®-winning Head Writer and Consulting Producer Ron Carlivati, subject to a WGA agreement, to continue with the show when it moves online at the beginning of next year. Carlivati has been with the show since 1996 and a head writer since 2007.
Pending a final agreement with AFTRA, additional deals are in place for cast members Melissa Archer (Natalie Buchanan Banks), Kelley Missal (Danielle Rayburn), Sean Ringgold (Shaun Evans), Andrew Trischitta (Jack Manning) and Jerry VerDorn (Clint Buchanan) to join previously announced cast including Ted King, Michael Easton, Kassie DePaiva and Erika Slezak.
(SoapOperaNetwork.com) — A few weeks ago an insider informed us that a 1.7 is the lowest acceptable point a daytime program can reach in households before television networks begin to worry about the future of the program on their daytime schedules (ten years ago it was a 2.7). After four days on the air, “The Chew” has hit that benchmark.
According to Marc Berman of TV Media Insights, “The Chew” had a 1.7/6 household rating/share point for its Thursday, September 29 telecast – the show’s fourth episode on the air. “The Chew” is down 14% in households and one share point from what “All My Children” had pulled during the same point last year (September 2010) and is down a whopping 36 percent and three share points from its local ABC affiliate lead-in averages (predominantly “Who Wants to be a Millionaire”), which averaged together was a 2
“Chew’s” Four Day Performance is as follows:
Monday 9/26 – Lead-in: 2.9/ 9, The Chew: 2.1/ 7
Tuesday 9/27 – Lead-in: 2.8/ 9, The Chew: 1.8/ 6
Wednesday 9/28 – Lead-in: 2.7/ 9, The Chew: 1.8/ 6
Thursday 9/29 – Lead-in: 2.6/ 8, The Chew: 1.7/ 6
What’s interesting to note is that “Chew’s” rapid fall is a direct result of the lead-in programming from the ABC affiliated stations across the country more so than the program itself, at least based on numbers alone. Could it be that viewers that tuned into the ABC lineup before the start of “All My Children” were also viewers of ABC’s local programming, but with “AMC” no longer on the air the viewers are just not tuning in? We won’t know the answer to that question based on just one week of ratings data, but if we see this trend continuing during the all important November sweeps period, ABC may have some big problems on their hands.
(SoapOperaNetwork.com) — As previously reported, “One Life to Live” executive producer Frank Valentini will be taking over both “OLTL” and “All My Children,” when he begins his new position as Vice President, Serial Dramas, for Prospect Park immediately following the end of production for “One Life” under the guidance of ABC. Now comes word from our friends at Daytime Confidential, who are reporting that “One Life to Live” Head Writer Ron Carlivati will be joining the show when it transitions to the web beginning in January, despite ABC declaring his move to “General Hospital” in June – weeks before it was announced production company Prospect Park would be taking over production of the series from the network along with “All My Children.”
Will the dynamic duo of Frank Valentini and Ron Carlivati be reuniting for Prospect Park’s continuation of One Life to Live? That’s the word that recently had actors on the set of the sudser buzzing. According to one source, Carlivati will likely pass on moving over to General Hospital, as had been previously planned, and will continue to write story for our favorite citizens of Llanview, PA., like Kassie DePaiva’s Blair seen above with Carlivati. Keep checking back with Daytime Confidential as this interesting story develops…
A move to Prospect Park’s version of “One Life to Live” would come as quite a shock as it was on August 18, just one month ago, when an ABC rep stated plans for Carlivati’s move to “GH” are still in place “as far as [they] know.” Although they didn’t confirm nor deny anything regarding Carlivati’s status, another ABC rep today informed Soap Opera Network that “If there is an announcement to be made about someone signing with Prospect Park, it will be made by Prospect Park. They have been great about making these announcements.”
Both Carlivati and Valentini had signed long-term contracts with ABC back in September of 2010 that were to hold the duo at the network through 2012 (Valentini) and 2013 (Carlivati) respectively. Clearly, the network has been gracious with allowing both men the possibility of moving on with the show they helped position as one of daytime’s silent heroes.
(SoapOperaNetwork.com) — Each week Entertainment Weekly puts together “The Bullseye,” a gathering of images in which “pop culture news that was right on target” for the week comes together leading to the “events that missed the mark.” For its October 7, 2011 issue, the magazine placed a “Bullseye” on “The Chew’s” Mario Batali.
The caption read “You are no Susan Lucci.”
In addition to the “Chew” piece, the star of primetime soap “Pan Am,” Christina Ricci, received the largest notice from the magazine with the caption “No full-body scans, free food: Finally, flying is fun again.”
“The Bullseye” appears on the last page of every issue of Weekly.
“The Chew” has experienced a ratings downward trend since debuting on Monday, September 26. “All My Children” aired its series finale on Friday, September 23 with some of its highest ratings in more than four years.
(SoapOperaNetwork.com) — “All My Children’s” television run comes to an end, “The Chew” debuts in its place, and “One Life to Live” asks fans to sample Ford’s wiener.
Despite not having regularly watched “AMC” since childhood, I made it a point to watch the show’s final episode on ABC last Friday. And, while I was out of touch with most of the recent storyline (like how or why Dr. David Hayward kept many of Pine Valley’s supposedly deceased people alive for several years), overall I enjoyed watching that episode. And it made me hope and wish that when “OLTL” airs its final episode on the network in January that it would get similar treatment.
However, that optimism came to a screeching halt when I watched the first episode of “One Life” the following Monday on a post-”All My Children” ABC Network. What a major disappointment to see episode begin with Ford in a hot dog food asking bystanders in Angel Square to “sample his wiener.” At first it made me wonder if the writers were trying to be clever by throwing the scene in right after the first episode of “The Chew,” an infamous new show all about food, had just aired. But I seriously don’t believe they are smart enough to do something like that, especially considering that its not the first (or probably the last) time Ford has been seen in that very same hotdog costume.
I suppose those scenes involving a meat packing Ford (ha!) and troubled Buchanan twit Jessica were more likely to appease the pair’s dozen or so fans. Yes, nothing says love like an heiress flirting with the guy who raped her when she was suffering from a mental illness, while he is dressed up as a giant wiener. And what a nice follow-up by showing a carefree Jessica then jumping rope with three middle school-aged girls. Just warms your heart doesn’t it? I know it does mine. When I watched those scenes all I could think of saying was “well bless her heart.”
But I suppose it can’t compete with the classics like Todd leaving Téa naked out in the cold, and her hitting him in the back of the head with a shovel. Or Victor Jr. (back when he still thought he was Todd) falling in love and sleeping with an amnesiac Marty Saybrooke, the same woman Todd raped years back. Love is many splendored thing, I suppose.
I find refreshing to see just how far “One Life to Live” has come over the years. In 1968, the show was filled with controversial stories such as interracial couples and drug abuse, prominently featured poor and middle class families, and characters representing different ethnic groups and religious backgrounds. Now, forty-three later, we have a man prancing around town in a hotdog outfit, a guy helping his brother’s ex-girlfriend find her long-lost mother by making a porn flick with her, three shirtless brothers frequently hanging out in a sauna, a paranoid idiot receiving notes and “visits” from his dead girlfriend, and a little boy holding a grown woman hostage against a motel room door armed with only a Spiderman costume and a can of silly string. You’ve certainly come a long way Llanview! Stay classy!
However not everything is negative on the show right now. There is still some good on “One Life to Live.” Cord and Tina are a site for sore eyes and so is doggie David Vickers. I think he is much cuter and smarter than his namesake. Todd (yes the same one I mentioned above) cracks me up. Roger Howarth does rather well with comedic material in my opinion, and the majority of his scenes always put a smile on my face and leave me chuckling a little. And I always enjoy it when Natalie knocks Princess Jessica down a few pegs. I mean it’s not as if she doesn’t deserve it every now and again.
Moving on, no one guessed (either correctly or incorrectly) the answers to the trivia questions from last time. So I’m going to give you a second chance to place your answers. In case you missed the clues, here there are again: 1. Kassie DePaiva (Blair) appeared on what game show before joining “OLTL” and who was the daytime celebrity (and future co-star) was she paired up with? 2. What two wars did the late Phil Carey (Asa) serve in? 3. What is John-Paul Lavoisier‘s (Rex) real last name? I’ll have the answers in the October 15 edition of My View of Llanview.
Now, before I wrap up this column, I’m going to look into my crystal ball and give you a quick sneak peek at a few things coming up a few weeks down the road. Someone is threatened. One family member extends an olive branch to another. An unlikely couple grows closer. And one man comes up with a new scheme to get what he wants.
Well that’s concludes yet another column. Have a great week everyone! Stay safe and enjoy the beautiful fall weather.
Take care, and until next time remember, we only have “One Life to Live”…
(SoapOperaNetwork.com) — “All My Children,” aired its series finale on Friday, September 23, 2011 with its largest weekly audience in over four years (since week of August 20, 2007), its largest single day episode in more than 4 1/2 years (since the May 11, 2007 episode) and tied its highest weekly household rating in four years (since week of September 24, 2007). The canceled ABC soap managed to place second in households for the first time in 16 years (since week of July 10, 1995) and placed second in viewers for the first time in nearly seven years (since week of December 6, 2004).
With an average of nearly 3 million viewers watching the final hours of their favorite Pine Valley citizens before the soap faded to black in a shocking cliffhanger ending, “AMC” pulled off a feat that not many soaps have been able to do, which was go out with a bang. According to Nielsen Media Research data, “All My Children” averaged 3.5 million viewers (3.475 in actuals) for its last episode which was its largest audience since its Friday, May 11, 2007 episode, where it also averaged 3.5 million viewers. In that episode Greenlee (
Rebecca Budig Sabine Singh) interrupted Ryan (Cameron Mathison) and Annie’s (Melissa Claire Egan) wedding reception, while Krystal (Bobbie Eakes) took her new-born baby girl Jenny home for the first time and Colby tried to make amends with her father, while JR mourned the death of Dixie (Cady McClain) and Di (Kelli Giddish) learned some shocking news about Ava/Lily (Leven Rambin).
The last time “AMC” averaged a 1.1/7 in Women 18-49 was during the week of March 8, 2010, when 728,000 Women 18-49 viewers were tuned in. By comparison only 689,000 Women 18-49 viewers tuned in for the soaps finale week. The last time “All My Children” received a 2.6 household rating was on Thursday, July 26, 2007, which translated into 3.4 million total viewers. Meanwhile, the last time the soap managed a weekly audience of more than 3 million viewers was the week of August 20, 2007 when the soap averaged 3,020,000 viewers, which at the time was a loss of 120,000 viewers compared to the same week in 2006. The last time “All My Children” averaged a 2.3 in households for a given week was the week of September 24, 2007, the start of the 2007-2008 television season, in which 2.8 million viewers tuned in.
Sixteen years have gone by since we saw numbers like these, but it was also the last time “AMC” was the second most watched daytime soap. During the week of July 10, 1995, “All My Children” ranked second (only beyond “The Young and the Restless”) with a 5.7/18 household rating/share point. The last time the soap was second in total viewers, however, was during the week of December 6, 2004, when the soap averaged 3.9 million viewers and a 2.2/14 in Women 18-49. The week of January 17, 2005 was the last time “AMC” placed second in Women 18-49 viewers when it had a 2.2/12 rating/share and 1.4 million Women 18-49 viewers. During that week the soap averaged 3.9 million total eyeballs. Interestingly enough, “All My Children” took the #1 spot in Women 18-49 and Women 18-49 viewers during the February 2005 Sweeps period. Afterward, the soap never managed to place higher than 3rd in either category until the week of September 19-23, 2011, when it aired its last five episodes out of the more than 10,700 recorded.
What follows is a breakdown of “All My Children’s” final weekly ratings performance since its debut on January 5, 1970:
Although ABC canceled “All My Children” along with “One Life to Live” on Thursday, April 14, both soaps were given a renewed sense of life when production company Prospect Park announced on Thursday, July 7 that they would resume production of both soaps as they transition to a new online television network, which was just named earlier this week as The Online Network or TOLN. Soap Opera Network wishes the cast and crew of “All My Children” the best of luck as they transition to the web beginning in January 2012.
(SoapOperaNetwork.com) — Although ABC did not expect “The Chew” to outperform “All My Children” every day nor did they expect it to beat it in the long-run, after all the ultimate goal is to save money by producing a cheaper show, the network should still be a little worried about “Chew’s” performance after three days of ratings data have been released.
According to Nielsen Media Research via TV Media Insights, after three days on the air “The Chew” is averaging a 1.9/6 household rating/share point (the site noted 2.0/6, but it is actually 1.9/6). During the same period a year ago, “All My Children” had a 2.1/7 household rating/share point.
Although not much can be said about a lead-in, especially when broadcast network programming doesn’t typically live or die by the local programming airing on their affiliated stations prior to the start of a broadcast lineup, Marc Berman, TV Media Insight‘s Editor in Chief, noted the following about “The Chew’s” first three days:
Monday 9/26 – Lead-in: 3.0/10, The Chew: 2.1/ 7
Tuesday 9/27 – Lead-in: 2.9/10, The Chew: 1.9/ 6
Wednesday 9/28 – Lead-in: 2.8/ 9, The Chew: 1.8/ 6